Great Works Wednesday: My Captivating Saturday Night Date

I am a single 27-year-old woman who loves to be active. I am not happy unless I am cramming 17 ½ activities into one day, seeing as many people as possible – burning the candle at both ends. I function quite well on only five hours of sleep and am incapable of bearing the guilt that follows an impromptu nap., AKA wasted time.

My “If you ain’t moving you’re losing” lifestyle had no room for reading, until I took a flight to California for a musical festival. I needed something to do on the plane – I couldn’t just sit and enjoy the ride – that would not be the most effective use of my time. I decided the best solution would be to read a book. I have always loved reading, but the act has definitely been lost in the shuffle of my current life. But after months of refusing my mother and sister’s urges for me to read The Hunger Games trilogy, I surrendered. I succumbed to what I was certain would be nothing more than a teenage love triangle employing futuristic warriors in place of the vampires.

My judgment hadn’t been that off since I cut side bangs in my hair.

I read all three books in a week. Every night I tucked myself into bed and got lost in Panem. I finished book three on a Saturday night and it nearly left me immobile. I stayed in bed contemplating the various themes the book addressed; power, society’s need for gratuitous entertainment, and of course love and sacrifice. Me, the woman who would rather do anything than stay still. I gave up a Saturday night to just reflect and digest what I had read. In hindsight part of me wonders if by staying in, I missed my chance to meet Reno’s version of the brave and determined Gale, or the selfless, perfect Peeta – but if those types of men do exist, I’d rather meet them when I am 100%.

Charles McNair, a writer for PasteMagazine.com said, “The Hunger Games left me gravely unsettled, as if I’d wandered all alone into a pitch-black maze where I could hear, now and again, a distant, blood-curdling roar, something coming in the dark.”

I feel ya Charlie. I’m not sure I have fully recovered yet. These are probably not the best books I have ever read. I cried more at The Kite Runner; I was more challenged reading The Giver; and felt more suspense while reading The Da Vinci Code. Yet the Hunger series left a greater mark on me. I stretched to identify with Katniss, the main character, yet I know in my heart that I fall massively short to her courage and determination.

 

 

 

 

 

 

 

 

 

 

 

 

 

There’s a simplicity in Suzanne Collins’ writing that paints a vivid picture using the scarcest of words. The characters are complex and applicable. The book is written on a 7th grade level, yet it is being used for college courses all over the country. Every generation of my family has read and loved the books. I actually called my older sister to have a classroom-like debate about the ending.

The irony of the book is that Collins addresses society’s need for salacious entertainment. In this day in age, there doesn’t seem to be limits to what will be created for TV- real or fake. She is tackling this issue head on in the oldest, purist form of entertainment known to man – in books.

“No entertainment is so cheap as reading, nor any pleasure so lasting.” Lady Mary Wortley Montagu.

The series made the crossover to film.  I enjoyed the movie and am eagerly awaiting the next two installments.  It was nice to give faces to the names.  But I implore you, do not see the movies until you have read the books.  The film cannot capture the critical internal monologue of our heroine, Katniss Everdeen.

I pity the next book or series of books I will encounter, because they have a tough act to follow.  Collins is a fabulous writer who was able to awaken a part of me that had been shamelessly napping for a long while. I have returned to one of my most favorite past times, reading. I’ve also found a way to fit it back into in my active lifestyle; I read while walking on my treadmill.

About Great Works Wednesday
These are blog posts that shine a light on those people, places, institutions and organizations that do wonderful work. It’s a step outside of the daily marketing and advertising worlds that many of us occupy, and calls attention to the outstanding thinking that may inspire or help you see things in a different light. It is an online salute to the power of great works. Click here to see Ding’s Great Works.

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Great Works Wednesday: Reno Bike Project – Keep the Good Wheels Turning

I had the opportunity to spend several consecutive Saturdays volunteering at a place called the Reno Bike Project. In Reno’s grittier part of town, it’s one of the many businesses redefining 4th Street for the better.

RBP has been around since 2006. In fact, I donated/dropped off one of my daughter’s old bikes at presumably the home of a Project founder back around ‘07 or ‘08. Just rolled it into the backyard of the residence, which was already littered with hundreds of other forlorn bikes that were waiting to be disassembled and then Frankensteined into functional bikecraft for Burners (Burning Man habitués) and those who are truly dependent upon bicycles for their main means of mobility. That was before the shop ultimately landed on Old Highway 40 , their current 4th Street storefront.

But that’s not the point of this post. The point is I don’t get the Reno Bike Project.
Not at all.

Here is an enterprise started by a couple of guys who believe that everyone should have access to affordable, self-powered two-wheeled transportation. It’s a ludicrous premise, really. To set up and completely staff a professional, officially licensed infrastructure that is dedicated to helping everyone from the wealthiest chap on the most elite of road bikes with a derailleur issue, to offering an experienced hand to the brokest, most down-and-out bloke fix his brake problem is dumb. There’s no money in it. No future. None of the guiding principals underpinning me-first capitalism that will generate a profit, a retirement plan, gross consumption and a life of ease for management.

What I discovered during each of my six-hour Saturday stints, disassembling bike after bike after bike, was one of the most honest, heartfelt, moral, dedicated, specialized grassroots, altruistic organizations I have ever come across. No bullshit. No goody goody posing. No massive ad campaigns and top-heavy non-profit administration.

Every one of the RBPers is bent on helping get someone’s bike in prime operating condition, regardless of that rider’s income statement. The public workstations are fully equipped with shop-grade tools, and the mechanics are exceptionally well trained. Each staff member and volunteer is universally committed to assisting any person either fix his or her current bike or buy (for a nominal price) an expertly reconditioned ride that will carry its passenger happily into the sunset.

You will find no faltering of purpose. No jaded under-the-breath muttering about how stupid a certain rider is, or how slovenly that guy is dressed. Believe me, I tried to find a crack in the veneer, because no organization is ever staffed by a team totally dedicated to mission. But I couldn’t find the non-believer. Every person at Reno Bike Project is true to the project’s aim.

That’s not to say they’re a simple posse of rubber-spined hipster libs who would rather hug a dead rat than chuck it in the garbage. To the contrary, don’t enter the premises drunk or assume that you can drink while fixing that flat tire. On more than one occasion a staffer verbally tossed the inebriate out the door. No compromise. No compassion. “Out.” They were invited back, but only after they sobered up. Nor would any of the staff accept being bullied over the price of a part, regardless of how loud the shouter ranted. Pay the price (cheap) or roll away empty handed.

Reno Bike Project has imbedded itself into the region’s fabric, as well. They staff bike valets for Earth Day and the month-long Artown festival in July. They sponsor a Gift Bike Program. They host the We HeART Bikes fundraiser
This is a grass roots organization professionally structured and managed to meet a need that no one knew needed to be met. It serves people who you drive by every day, pedaling their way to work, home and wherever. And Reno Bike Project is a success, even if I don’t understand how it can possibly be so.

 

About Great Works Wednesday
These are blog posts that shine a light on those people, places, institutions and organizations that do wonderful work. It’s a step outside of the daily marketing and advertising worlds that many of us occupy, and calls attention to the outstanding thinking that may inspire or help you see things in a different light. It is an online salute to the power of great works. Click here to see Ding’s Great Works.

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Great Works Wednesdays: More than Music: Radiohead at Coachella 2012

I sit at my desk today recounting a weekend of incredible sights and sounds. I attended my first Coachella Music Festival and I will never be the same again. I keep trying to convince myself today to simply be happy and grateful to have experienced the richness that is ‘Chella, but at this particular moment all I can feel is sadness that it is over.

So in an attempt to keep my memories as fresh as possible for as long as humanly possible I would like to share the great work I was privy to this weekend in the land of Indio, California.

There are many elements of the festival that I could write this entry about. I could recap how the Black Keys rocked my boots off, or the appreciation I had for the Shin’s rendition of Pink Floyd’s “Breathe.” I could describe how the magical Bon Iver set almost moved my best friend to tears. I could break down how my feet wouldn’t stop misbehaving during the beats of DJ Girl Talk, or how I shamelessly sung every delightfully crude lyric that blasted out of Snoop Dog, Dr. Dre, Eminem and hologram Tupac’s mouths.

But this blog is specifically about acknowledging a single act of great work, and to me that means sharing the talent and efforts of a single, tangible entity with you.

Radiohead’s stage lighting.

A major headliner at Coachella music fest for excellent reason, experiencing a Radiohead show is incredible. It goes beyond music. It is the creativity, the futuristic vibes and the musician’s evident passion, especially that of Thom Yorke, that makes it so entrancing. But this weekend, the stage and lighting design deserve fanatical cheers.

It was unlike the lighting and visuals of any concert I’ve ever seen. Multiple, massive, flat screen panels dropped from the ceiling like puppets on strings, with Thom Yorke as the puppeteer. The screens changed configurations and angles seamlessly with each song. The images would transition throughout the songs, showcasing each band member, tight shots of their instruments, and even outside imagery.

 

 

 

 

shocklee.com

The show was as stimulating to my eyes as it was my ears. I could not take my gaze off of the stage anxious as I was to see what was coming next. Yet, I feel like the configurations changed positions while I blinked because it never disrupted the show, never felt contrived.

 

 

hungeree.com

 

The vast majority of the other bands used two larger displays on the right and left of the stage, presumably so the deep crowds could still feel connected to the show. However those screens remained dark during Radiohead, drawing greater attention on the cascading panels, thus providing a more intimate feel. I was fortunate to be close-enough to the stage to see what the massive entities were unveiling. But if you were watching from a distance, I imagine it was a bit disheartening; but only a bit. As with any Radiohead exploit, you accept it and chalk it up to the uncompromising and unapologetic genius and originality that is theirs.


(Skip to 6:45 to avoid the long intro)

The spectacles, fragrances, encounters and the sweet, sweet music of Coachella will stay with me forever. My admiration for one of the best musical groups of all time grew to a new capacity. I truly think everyone can appreciate the dedication and deliberation that went into the creation of the Radiohead stage/lighting design. Take a look at the video above to see the panels in action. And good luck watching without trying mimic the signature Thom Yorke wiggle.

About Great Works Wednesday
These are blog posts that shine a light on those people, places, institutions and organizations that do wonderful work. It’s a step outside of the daily marketing and advertising worlds that many of us occupy, and calls attention to the outstanding thinking that may inspire or help you see things in a different light. It is an online salute to the power of great works. Click here to see Ding’s Great Works.

Posted in Colie McManus, creativity, Ding Thinking, Great Work, Pearls | Tagged , , , , , | Leave a comment

Arby’s Suffering from Advertising Copycat Syndrome?

Suffering from “BNAABOCCSMAU?” or “Big National Ad Agency Borrowed Our Commercial Concept Six Months After Us” Syndrome? No? Well, could you fault us at Ding Communications if we were a bit surprised to see how Arby’s is pitching their Reuben samich? I was standing in my kitchen when I heard a snarky doctor on my TV ask me if I was suffering from NRNS – “Need a Reuben Now Syndrome?” If so, the good doctor informed me that Arby’s had the cure. I couldn’t believe it. A multi-gajillion dollar national company was using the same advertising concept we had developed six months ago to generate auto loans for our northern Nevada credit union client, to push Reuben sandwich sales.
The similarity is almost eerie… See “Similar” Spot Here.

Our Reno ad agency developed an integrated marketing communications campaign for our client Greater Nevada Credit Union in 2011. The premise: “Are you suffering from ECS? (Embarrassing Car Syndrome) If so, Greater Nevada Credit Union Can Help.”
See Original Spot Here.

The Arby’s spot has a slightly different tone and they are clearly advertising a completely different product, but the Big Idea is exactly the same: real symptoms for a fictitious disease; diagnosis issued by a “doctor,” who then prescribes a real product as a cure.

As aghast! (that’s right, I said “aghast!”) as we were here at Ding when we first saw the commercial, we have since calmed down and have harnessed our collective Chi(s). Taking the adult perspective, it proves that solid, well-developed and well-executed ideas can hail from anywhere, from any agency, of any size, and be developed on any budget. Maybe Arby’s should include us a new-agency RFP (Request For Proposal)? I think they’d like our ideas…

Finally, it is important to recall the wise words our mothers spoke when we were children: “Imitation is the sincerest form of flattery.” We will definitely try to keep that in mind. But in all honesty we like our version better.

What do you think?

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Sierra Nevada Concrete Association Adds Ding Communications to the Mix

PRESS RELEASE
FOR IMMEDIATE RELEASE

Editorial Contact:
Greg Fine
775-786-3464, ext. 1#

Sierra Nevada Concrete Association Adds Ding Communications to the Mix

RENO, Nev. – Feb. 7, 2012 – The benefits of a concrete-constructed roadway are substantial to both types of motorists – the taxpayer and the road-planning engineer.

Boasting a 30-year drivable “shelf life,” concrete is pourable year-round. It’s sourced with locally produced ingredients, and is prepared and poured by workforce that calls northern Nevada home.

With those facts and many others in hand, Ding Communications, Inc., has been appointed by Sierra Nevada Concrete Association to build awareness around concrete’s value and durability.

“There really aren’t any valid reasons for not building a road with concrete,” said Greg Fine, a principal at the Reno-based advertising and marketing firm. “When concrete’s life cycle cost-analysis is the basis for the comparison, concrete wins over other surfaces in just about every category.”

The “Concrete Makes Drivers Happy” awareness campaign emphasizes several of concrete’s most notable statistics to two very distinct audiences: the local taxpayer who funds road construction, and the engineer responsible for specifying a roadway’s construction materials.

Click here to listen to the spot.

The campaign is being broadcast initially across several key northern Nevada radio stations.  Listeners are directed to visit Sierra Nevada Concrete’s website (www.SierraNevadaConcrete.com) for deeper details, including a recently released MIT report (Sept. 2011) validating concrete’s life cycle cost-effectiveness.

Life cycle analysis (LCA) is the “cradle-to-grave” assessment of a material’s cost, in both environmental and economic impacts. In respect to concrete, several factors weight the equation, including concrete’s ingredients – locally sourced aggregate, portland cement and water; the fact that it’s not composed of oil; and that it lasts substantially longer between repair periods. All are factors contributing to concrete’s cost savings over the life of the roadway.

The campaign is scheduled to run through February 24th, and is a precursor to the SNCA Concrete Expo, which takes place March 6th at The Grove in south Reno.

About Ding Communications, Inc.
Placing a high value on one-to-one relationships in a mass media world, Ding Communications provides clients with effective marketing and marketing communications solutions using creative advertising, design, new media and strategic planning.  Ding Communications is located at 527 Lander Street in Reno, Nevada, 775-786-3464, DingThinking.com

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Great Works Wednesday: Brad’s way with rust

Brad Walton and I worked for the same advertising agency many years ago. He was one of the graphic designers on staff and I was the copywriter. The agency itself was a dysfunctional mess of ego and assholism. Us worker bees suffered mightily under the owner’s son. And the damn firm made money hand over first. Go figure.

Brad and I became pretty good friends, in part because of our mutual grunt status at the firm and in part because he was just a damn great person that I happened to naturally get along with. He was one of those inherently funny guys whose every thought opened a different perspective for your mind to ponder while outwardly you guffawed and laughed at his comments and reflections.

Among Brad’s numerous talents was a Force-like connectivity he shared with rusted things. Old machine cogs, solid but oxidizing ¼” steel plates, aged mattress springs, and other unnameable misplaced bits of metal that were doomed to wither over the millennia were like long lost friends to Brad. He’d wander scrap yards and old fields and pick out the pieces that “spoke to him.” Indeed, he’d lug around a crate of dismembered and disassociated chunks and scraps of stuff until satisfied that he’d found the parts that reached out to him that day.

Then he’d go home, dump the pile onto the workbench and make a clock. An actual functioning timepiece. Here’s the kicker: He didn’t use anything to attach the parts together. No nuts, bolts, glue or compression gizmos. Through his relationship with each individual piece the clock came together, each item holding its neighbor in position through divine inertia. He told me “They just kind of let me know how they need to go together…”

The only part of the piece that wasn’t “natural” was the small mechanical clock body, the part that was fitted into the structure to operate the rusty hands on the clock face. It too was held in place by nothing more than energy from the adjoining pieces.

Brad is one of those keeping Austin, Texas weird, and I have no idea if he’s still putting his clocks together. Or rather if he is still helping facilitate new lives for the bits of scrap that call out to him. But if I were a discarded chunk of steel, I’d hope Brad would wander by and toss me in his crate. If for no reason other than to experience how his mind would follow its chi and help me and my metal allies reshape ourselves into something with a completely new identity.

About Great Works Wednesday
These are blog posts that shine a light on those people, places, institutions and organizations that do wonderful work. It’s a step outside of the daily marketing and advertising worlds that many of us occupy, and calls attention to the outstanding thinking that may inspire or help you see things in a different light. It is an online salute to the power of great works. Click here to see Ding’s Great Works.

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Great Works Wednesday: A Blog to Live by, “1001 Rules for My Unborn Son”

Some days I truly believe that all of the great sayings have already been written and the challenge is not writing new life rules, but recounting the appropriate rule when it is needed. Being able to simplify lessons, feelings, and realities poetically and concisely is a rare gift – but so is appreciating and recognizing the lessons when they are presented to you.

I stumbled across a blog last week called 1001 Rules for My Unborn Son “Let’s get some things straight before I get old and uncool.” This is a beautiful and humorous collection of insightful quotes from the famous and the anonymous, song lyrics, life lessons, and rules to live by. Some of the quotes have a perfect partnership with imagery, while other quotes and phrases stand so powerfully on their own that a photo would only diminish the strength of the words.

 

 

 

 
The man who created this blog, Walker Lamond, wanted to make something he could give to his son one day. As a parent, all you can ever do is give your children the tools and hope that your words penetrated their hearts and their minds. I am not a parent yet, but I can say that I grew up believing and still feel to this day that my mother is the wisest soul I will ever know. She never failed to offer up the perfect words to help me understand any situation.

Situation: A boy treated me badly.
My Mother’s Wisdom: “Fool me once shame on you, fool me twice, shame on me.”

Situation: I have a suspicion that I may be the butt of a cruel joke.
Mother’s Wisdom: “What someone else thinks of you, is none of your business.”

None of these words were direct quotes of my mother’s but it didn’t make her less wise. Recognizing the brilliance of another is the key in life. That’s what this blog accomplishes.

Here are some of my favorite gems from Father of The Year (I’m nominating him for the award) and his terrific blog:

“Never request a joke or impression. They’re never as good on command.”

“Never switch a seating card.”

“Eat lunch with the new kid.”

“Don’t let the pictures become the event.” (The need to build up our Facebook photo albums is having an effect on our moment)

“Don’t gloat. A good friend will do it for you.”

“Save your ticket stubs.”

“If a street performer makes you stop walking, you owe him a buck.”

“Act like you’ve been there before, especially in the end zone.”

“Just because you can, doesn’t mean you should.”

“Don’t rush to move on from the ‘kids’ table.”

 

 

 

 

 

 

 

 

 

Explore this blog and appreciate it for all that it is, but consider setting a timer because it s easy to get wrapped up in all that this blog has to offer. You will laugh, you might cry, you’ll be enlightened. Walker Lamond will remind you how to be the best person you can be. Let’s help Mr. Lamond add to his list. Tell us what some of your favorite life rules are.

 

About Great Works Wednesday
These are blog posts that shine a light on those people, places, institutions and organizations that do wonderful work. It’s a step outside of the daily marketing and advertising worlds that many of us occupy, and calls attention to the outstanding thinking that may inspire or help you see things in a different light. It is an online salute to the power of great works. Click here to see Ding’s  Great Works.

Posted in Colie McManus, Ding Thinking, Great Work, Pearls | Tagged , , | Leave a comment

Great Works Wednesday: Conan’s Farewell Speech Is a Great Kick in the Butt

We were recently knocking back the remains from our commuter mugs while setting up for a morning shoot, hashing out how we envisioned the student talent interacting with the typography in the TV spot. The energy was dynamic between the four of us and each was warming to the images pinging around in our heads.

As we bandied around the different approaches, Mark, from Orangetree Productions offhandedly mentioned how one designer treated Conan Obrien’s NBC sign-off speech several months ago.

I realize that Great Works Wednesday is meant to offer something to your Hump Day beyond advertising, marketing, design and media. But bear with me; this is not just some rote bit about a designer killing thousands of hours on a pet love.

This is about a person, Jacob Gilbreath, NOT accepting a good-bye address assignment as simply another sign-off from a defrocked star. I don’t know the back-story or how Gilbreath came onto this project, because obviously there was some deep pre-planning put into it. But the point is, he refused to simply look at Obrien’s good-bye speech through the same trusty, rusty filters.

Because that’s how humans are programmed, right? Find your pattern and hope to God nothing tweaks the routine. What’s your morning pattern? Mine’s like a Katy Perry pop song, a gratefully predictable practice of the same old boring steps.
But through Conan’s sayonara, Gilbreath provided me a much-needed reminder that you can always, always tackle life’s mundane moments differently. I need to remind myself to go out of my way and consider the different approach.

I know I’ll find a little more wonder in life and work by occasionally abandoning the routine and tackling something so mundane as a goodbye speech differently.
Have a great Wednesday.

 

About Great Works Wednesday
These are blog posts that shine a light on those people, places, institutions and organizations that do wonderful work. It’s a step outside of the daily marketing and advertising worlds that many of us occupy, and calls attention to the outstanding thinking that may inspire or help you see things in a different light. It is an online salute to the power of great works. Click here to see Ding’s Great Works.

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Great Works Wednesdays: Here’s Looking at You Lemon

You don’t have to be a photography expert or even a photography enthusiast in order to appreciate the talent that is Lauren Lemon.  She doesn’t just take photos. She creates events and directs the most elaborate scenes, scenes that embody someone’s passion, their life.
                 Photo Credit- Lauren Lemon

Yet the next photo in her arsenal will be as simple a girl staring straight ahead into the lens. She is unpredictable, but consistently impressive. Some shots are candid, some dead-on. Some shots have extremely detailed backgrounds and others sweet simplicity. She’s not afraid to go to the other side of the lens, sans make-up or even clothes. She hides nothing.

Every photo is so unique, but you know (or will know) a Lauren Lemon the way you recognize a Warhol.  She has created an entire movement devoted to jumping photos. See “Jumpology.” Some might call it her signature style, as she has profoundly demonstrated that everyone can and should jump no matter what the circumstance.

                  Photo Credit- Lauren Lemon

Lauren Lemon – aka Lauren Randolph – is a friend of a friend. That is how I came to know her work. She hails from Sparks, Nev., but has recently taken her talent a little further west and is now letting her photography loose in that cutthroat town of LA. I have no doubt she has only just begun to show the world what she can do. Lauren has no idea I have written a blog entry about her, and truthfully, I prefer it that way. Admire from afar, stalk in silence. Take some time to be awed. http://photolauren.com/

P.S. Lauren Randolph, if you’re reading this, don’t be alarmed. I just really dig your work. Your photography makes me want to be the best at something and better at everything. And that is wonderful.

About Great Works Wednesday
These are blog posts that shine a light on those people, places, institutions and organizations that do wonderful work. It’s a step outside of the daily marketing and advertising worlds that many of us occupy, and calls attention to the outstanding thinking that may inspire or help you see things in a different light. It is an online salute to the power of great works. Click here to see Ding’s Great Works.

Posted in Colie McManus, creativity, Ding Thinking, Great Work, Pearls | Tagged , | Leave a comment

Great Works Wednesday: Joe Goes with the Grandmas

My reason for venturing into advertising was singular: it’s a job that celebrates thinking.
Along every step of the process, in order for advertising to work as intended, there has to be deep reasoning and unrestrained “what if…?” Done with integrity, a bit of fearlessness, and the result is wonderful.

Serious brainwork begets great advertising, design or marketing initiatives. Great work does work wonders. It’s what elevates a brand to something special, something memorable.

But great thinking bubbles up around us on a daily basis. Even beyond the walls of our secular, hyperbolic little marketing worlds, super imagination and brain juice are coming up with all kinds of amazingness that has nothing to do with advertising or design or marketing or products or brands or apps.

So us people of Ding are sticking the proverbial flag into the middle of the week and dubbing Wednesdays Great Works Wednesdays.

We’ll shove big thinking and fat imagination to the fore for you to view, ponder and weigh-in on. Nuggets of advertising brilliance will be part of the mix. But we all live advertising to the point of choking on it. So we’re aiming our admiration at the multitude of great work that surrounds us; all the wonderful things humans are doing every friggin’ day to make a living, to express themselves, to call attention to their plight. Maybe it will seed the Big Idea that propels qualified leads into the funnel in a way you never experienced. Or fuels the launch of your new app. Or simply energizes your mind in a special way.

Great Works with The Nonnas
The inaugural Great Works Wednesday salutes Joe Scaravella, an Italian guy who opened a restaurant in Staten Island. An Italian who opens a restaurant – nothing original there, right? Back-story: Joe longed for the traditional ritual of gathering the family around the dinner table for the evening meal. He figured others probably did too. So he opened Enoteca Maria so that people could get a traditional home-cooked meal in a comfortably family atmosphere. Again, nothing mind-blowing about the premise. The beauty of his approach, however, is who’s manning the kitchen. Instead of hiring chefs trained to cook in commercial kitchens to prepare the classic meals, he hired “nonnas,” Italian grandmothers. Yup, straight outta their own New York kitchens into Enoteca Maria.

Read and/or listen to the NPR story here.

What makes Joe’s idea so wonderful is that he broke ranks with the typical way of opening a restaurant. Scaravella zigged. He followed what Shel Silverstein called “The Voice inside of you…” Sure, the world is littered with failed ventures built on great ideas. And who knows, Enoteca Maria and the nonnas’ wise cooking may not work as a going concern for long. But for the time being, what he has built is resonating with people. A different idea and the guts to follow through are working for Joe.

We hope that gives you something to chew on this Wednesday. Until next week’s Great Works Wednesday – ciao!

About Great Works Wednesday
These are blog posts that shine a light on those people, places, institutions and organizations that do wonderful work. It’s a step outside of the daily marketing and advertising worlds that many of us occupy, and calls attention to the outstanding thinking that may inspire or help you see things in a different light. It is an online salute to the power of great works. Click here to see Ding’s Great Works.

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Explicatives About the Cost of Advertising

On February 20th, the Northern Nevada Business Weekly will run an issued called, “How to Pick an Advertising Agency.”  The editor asked if I would write an article regarding the issue of cost in advertising.  How much does a business have to pay for successful advertising?  My article below gets to the heart of this question.  I’d like to hear your thoughts on what separates cost-effective advertising from costly. Leave us a comment below. Look forward to hearing from you.

“It’s JUST An Ad, for God’s Sake…!” and Other Heartfelt Expletives About the Cost of Advertising

By: Greg Fine

There are but two forms of advertising: There’s the “Worth every damn penny” variety. And there’s the “Expensive and more costly than you could ever imagine” approach.

Both cost money. But only the former accomplishes the intended purpose, which is to deliver some manner of measureable return on that initial outlay. The latter not only hits the bottom line. But what’s even more painful is the unseen damage poor advertising inflicts upon your brand, service, product and its forward business momentum.

The burning issue surrounding every advertising decision is divining that fine line between cost effective and needlessly expensive.

An example of costly advertising with a dubious return is the recent Super Bowl commercial that Chrysler ran with über stud Clint Eastwood, who gave the country a rousing good talking-to. Certainly his halftime locker room soliloquy was heartfelt and well intentioned. But that gap between Dirty Harry and me buying a Hemi remains noticeably enormous and unchanged. The ad didn’t connect brand to buyer motive. That’s advertising which is simply expensive.

An unfussy example of advertising, however, that certainly drives a bottom-line return is the billboard for Summit Mall on US395 South. It’s the board you drive between the Moana and South Virginia exits. It does everything you could expect from outdoor. The advertising serves as a vibrant reminder that Summit is just down road, past the nearby competitor. The high-quality, original photography hits the female target audience between the “I want that outfit…” eyes. And the tagline nails the overall Summit experience: It makes you feel like shopping.

Simple.

Powerful.

Not cheap, but bankably effective.

Anatomy of Advertising

Great advertising requires the experience and mental sweat from a handful of smart people. Like your attorney and CPA, you are investing in a professional service that involves strategic acumen and the intangible called “creative.” Properly paired, strategy and creative will raise your brand, product and service out of the muck and move your audience to action.

Wonderful advertising is the result of at least three key people. Regardless of whether it’s a “free” social network campaign (it’s never free), or a full-blown integrated marketing push, at a minimum the work requires an account person’s brain, a copywriter’s brain, and a graphic designer’s brain. These brains can sometimes hail from the same body, but optimally you want at least three individuals to put their noodle into your advertising. Depending upon the account’s complexity and size, several others will place their thumbprint on your work as well.

The single most important brain in this process, however, is yours.

For your advertising to work as desired and show a return on the investment, you must clearly articulate what it is you want the advertising to accomplish. More hits to a landing page? More loan applications? More new lawn care signups? More leads for your investment planning services? How do you want the advertising to build your business? Defining the objective may sound obvious, but I’m always surprised when the client hasn’t specified the end game. A clearly stated goal will determine your agency’s effectiveness and its ability to develop advertising that returns on the investment.

If you’re unclear about what exactly can be achieved, ask your agency people for guidance. They can assist with defining the objective, and either suggest or directly provide the framework for measuring your campaign’s effectiveness.

Money.

How much to put behind your effort is the ultimate chicken and egg question in marketing. Not enough funding and the effort falls flat, with no discernible return. Too much money and you are simply retracing a path you’ve already paved.

For determining appropriate funding, a variety of ratios, theories and algorithms have been put forth by those much smarter than me. But a general guideline that has successfully served my agency well when budgeting for my clients’ ad work is the 30% Rule. Generally, the work the advertising agency produces costs about a third of the overall media buy. If you media purchases is $50,000, the agency will gross approximately $15,000. (Optimally, this is based upon a media plan that reaches your audience at least three times through three different media channels.) I won’t fall on my sword for this ratio, but that’s how the numbers often shake out after all is said and done.

Another more goal-oriented model involves a return on investment ratio that’s based upon the amount of growth you seek over the course of the upcoming year. For example, if you want to increase your earnings from $1 million to $1.2 million, and you want to earn $4 for every $1 spent – a 4:1 budget – here’s an example of what that would look like:

Revenue over the past 12 months: $950,000
New baseline goal: (Incremental 12-month trend, with no changes to marketing):                                  $1 million
12-month gross revenue goal: $1.2 million
Gap between current collections and collections goal:  $200,000
ROI Goal (varies by situation): 4:1
New Marketing Investment: $50,000
Current Marketing Budget: $10,000
Total Marketing Budget: $60,000
Average Monthly Marketing Budget: $5,000/mo.

That 4:1 ratio can slide depending upon several factors, including type of business or specialty, competition, and so on. But it serves as a good baseline.

I’d like to make a point about quality, too. In this age when everything is online, where damn near every element of our lives has been commoditized in some form or another, please keep this thought in mind: The cheap online route (stock photography, illustration, logo development, creative talent pools, etc.) is in effect commoditizing your brand as well. It will rarely do for your business what a one-on-one relationship with an agency person – and the practitioners they work with – can do for you. Custom work may cost more initially. But if you can put the numbers into your budget, the benefit to your business is important for one critical reason: The work is tailored precisely to your company and its distinct personality. Please don’t discount the fact that your company’s brand is exceptional and should be showcased as such at every opportunity. If your relationship with your ad agency is sincere and honest, you should be able to openly and unequivocally discuss that costs MUST be central to their decision-making and ad creation. Better yet, after you’ve defined your campaign’s goals, define a very specific budget. And hold your agency accountable to that budget.

I’m obviously pro advertising and remain unapologetic for my huzzah beliefs in the power of good advertising that stems from a close working relationship between client and agency. I also know what advertising costs in terms of dollars. When done right, though, when there is true partnership between you and your agency, great advertising remains the single most influential, far-reaching and cost-effective business builder available.

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