“It’s JUST An Ad, for God’s Sake…!” and Other Heartfelt Expletives About the Cost of Advertising

On February 20th, the Northern Nevada Business Weekly will run an issued called, “How to Pick an Advertising Agency.”  The editor asked if I would write an article regarding the issue of cost in advertising.  How much does a business have to pay for successful advertising?  My article below gets to the heart of this question.  I’d like to hear your thoughts on what separates cost-effective advertising from costly. Leave us a comment below. Look forward to hearing from you.

“It’s JUST An Ad, for God’s Sake…!” and Other Heartfelt Expletives About the Cost of Advertising

By: Greg Fine

There are but two forms of advertising: There’s the “Worth every damn penny” variety. And there’s the “Expensive and more costly than you could ever imagine” approach.

Both cost money. But only the former accomplishes the intended purpose, which is to deliver some manner of measureable return on that initial outlay. The latter not only hits the bottom line. But what’s even more painful is the unseen damage poor advertising inflicts upon your brand, service, product and its forward business momentum.

The burning issue surrounding every advertising decision is divining that fine line between cost effective and needlessly expensive.

An example of costly advertising with a dubious return is the recent Super Bowl commercial that Chrysler ran with über stud Clint Eastwood, who gave the country a rousing good talking-to. Certainly his halftime locker room soliloquy was heartfelt and well intentioned. But that gap between Dirty Harry and me buying a Hemi remains noticeably enormous and unchanged. The ad didn’t connect brand to buyer motive. That’s advertising which is simply expensive.

An unfussy example of advertising, however, that certainly drives a bottom-line return is the billboard for Summit Mall on US395 South. It’s the board you drive between the Moana and South Virginia exits. It does everything you could expect from outdoor. The advertising serves as a vibrant reminder that Summit is just down road, past the nearby competitor. The high-quality, original photography hits the female target audience between the “I want that outfit…” eyes. And the tagline nails the overall Summit experience: It makes you feel like shopping.

Simple.

Powerful.

Not cheap, but bankably effective.

Anatomy of Advertising

Great advertising requires the experience and mental sweat from a handful of smart people. Like your attorney and CPA, you are investing in a professional service that involves strategic acumen and the intangible called “creative.” Properly paired, strategy and creative will raise your brand, product and service out of the muck and move your audience to action.

Wonderful advertising is the result of at least three key people. Regardless of whether it’s a “free” social network campaign (it’s never free), or a full-blown integrated marketing push, at a minimum the work requires an account person’s brain, a copywriter’s brain, and a graphic designer’s brain. These brains can sometimes hail from the same body, but optimally you want at least three individuals to put their noodle into your advertising. Depending upon the account’s complexity and size, several others will place their thumbprint on your work as well.

The single most important brain in this process, however, is yours.

For your advertising to work as desired and show a return on the investment, you must clearly articulate what it is you want the advertising to accomplish. More hits to a landing page? More loan applications? More new lawn care signups? More leads for your investment planning services? How do you want the advertising to build your business? Defining the objective may sound obvious, but I’m always surprised when the client hasn’t specified the end game. A clearly stated goal will determine your agency’s effectiveness and its ability to develop advertising that returns on the investment.

If you’re unclear about what exactly can be achieved, ask your agency people for guidance. They can assist with defining the objective, and either suggest or directly provide the framework for measuring your campaign’s effectiveness.

Money.

How much to put behind your effort is the ultimate chicken and egg question in marketing. Not enough funding and the effort falls flat, with no discernible return. Too much money and you are simply retracing a path you’ve already paved.

For determining appropriate funding, a variety of ratios, theories and algorithms have been put forth by those much smarter than me. But a general guideline that has successfully served my agency well when budgeting for my clients’ ad work is the 30% Rule. Generally, the work the advertising agency produces costs about a third of the overall media buy. If you media purchases is $50,000, the agency will gross approximately $15,000. (Optimally, this is based upon a media plan that reaches your audience at least three times through three different media channels.) I won’t fall on my sword for this ratio, but that’s how the numbers often shake out after all is said and done.

Another more goal-oriented model involves a return on investment ratio that’s based upon the amount of growth you seek over the course of the upcoming year. For example, if you want to increase your earnings from $1 million to $1.2 million, and you want to earn $4 for every $1 spent – a 4:1 budget – here’s an example of what that would look like:

Revenue over the past 12 months: $950,000
New baseline goal: (Incremental 12-month trend, with no changes to marketing):                                  $1 million
12-month gross revenue goal: $1.2 million
Gap between current collections and collections goal:  $200,000
ROI Goal (varies by situation): 4:1
New Marketing Investment: $50,000
Current Marketing Budget: $10,000
Total Marketing Budget: $60,000
Average Monthly Marketing Budget: $5,000/mo.

That 4:1 ratio can slide depending upon several factors, including type of business or specialty, competition, and so on. But it serves as a good baseline.

I’d like to make a point about quality, too. In this age when everything is online, where damn near every element of our lives has been commoditized in some form or another, please keep this thought in mind: The cheap online route (stock photography, illustration, logo development, creative talent pools, etc.) is in effect commoditizing your brand as well. It will rarely do for your business what a one-on-one relationship with an agency person – and the practitioners they work with – can do for you. Custom work may cost more initially. But if you can put the numbers into your budget, the benefit to your business is important for one critical reason: The work is tailored precisely to your company and its distinct personality. Please don’t discount the fact that your company’s brand is exceptional and should be showcased as such at every opportunity. If your relationship with your ad agency is sincere and honest, you should be able to openly and unequivocally discuss that costs MUST be central to their decision-making and ad creation. Better yet, after you’ve defined your campaign’s goals, define a very specific budget. And hold your agency accountable to that budget.

I’m obviously pro advertising and remain unapologetic for my huzzah beliefs in the power of good advertising that stems from a close working relationship between client and agency. I also know what advertising costs in terms of dollars. When done right, though, when there is true partnership between you and your agency, great advertising remains the single most influential, far-reaching and cost-effective business builder available.

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Sierra Nevada Concrete Association Adds Ding Communications to the Mix

PRESS RELEASE
FOR IMMEDIATE RELEASE

Editorial Contact:
Greg Fine
775-786-3464, ext. 1#

Sierra Nevada Concrete Association Adds Ding Communications to the Mix

RENO, Nev. – Feb. 7, 2012 – The benefits of a concrete-constructed roadway are substantial to both types of motorists – the taxpayer and the road-planning engineer.

Boasting a 30-year drivable “shelf life,” concrete is pourable year-round. It’s sourced with locally produced ingredients, and is prepared and poured by workforce that calls northern Nevada home.

With those facts and many others in hand, Ding Communications, Inc., has been appointed by Sierra Nevada Concrete Association to build awareness around concrete’s value and durability.

“There really aren’t any valid reasons for not building a road with concrete,” said Greg Fine, a principal at the Reno-based advertising and marketing firm. “When concrete’s life cycle cost-analysis is the basis for the comparison, concrete wins over other surfaces in just about every category.”

The “Concrete Makes Drivers Happy” awareness campaign emphasizes several of concrete’s most notable statistics to two very distinct audiences: the local taxpayer who funds road construction, and the engineer responsible for specifying a roadway’s construction materials.

Click here to listen to the spot.

The campaign is being broadcast initially across several key northern Nevada radio stations.  Listeners are directed to visit Sierra Nevada Concrete’s website (www.SierraNevadaConcrete.com) for deeper details, including a recently released MIT report (Sept. 2011) validating concrete’s life cycle cost-effectiveness.

Life cycle analysis (LCA) is the “cradle-to-grave” assessment of a material’s cost, in both environmental and economic impacts. In respect to concrete, several factors weight the equation, including concrete’s ingredients – locally sourced aggregate, portland cement and water; the fact that it’s not composed of oil; and that it lasts substantially longer between repair periods. All are factors contributing to concrete’s cost savings over the life of the roadway.

The campaign is scheduled to run through February 24th, and is a precursor to the SNCA Concrete Expo, which takes place March 6th at The Grove in south Reno.

About Ding Communications, Inc.
Placing a high value on one-to-one relationships in a mass media world, Ding Communications provides clients with effective marketing and marketing communications solutions using creative advertising, design, new media and strategic planning.  Ding Communications is located at 527 Lander Street in Reno, Nevada, 775-786-3464, DingThinking.com

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On Finding the Right Music Bed for a Radio Spot About the Benefits of Concrete

We wrapped up production on a radio spot that argues the benefits of pouring concrete for our area’s roadways (hear it here). It broke yesterday (2/7/12) and is airing across several well-listened regional radio stations.
When we presented the concept to the Sierra Nevada Concrete Assoc. board, we ran into a familiar conundrum: How to best convey the spirit of the music you want to underscore the spot, without having the actual music. It’s never a simple task, but I was fortunate in that two pieces caught my ear awhile ago. Both grandly fit the tone of the commercial. Shooby Shooby Do Yah, by Mocean Worker, and Yuri’s Oi Va Voi captured the right turn-of-the-century, men at work, skyscrapers being built and concrete being poured feel, but with a modern 21st Century musicality.
The board liked the direction and green-lighted production, which meant trying to nail that same musical vibe heard in the presentation examples, but from a library of stock music. (An original musical score was beyond the budget.)
After sifting through a ton of tracks, Bouncing Ben had the right emotion. As you can hear, it’s a bit different from the conceptual samples. But in a good way. Standard for any advertising creative endeavor is the understanding that the end product is wonderful amalgamation of engineering and surprise. Ultimately, you want the finished piece to live up to the idea that was originally presented to the client. But you also want it to assume its own natural personality.
This music carries that positive feel of progress, with a couple of added elements that perfectly punctuate the spot – the singer’s “boh-boh-boh…” at the :18 mark for example.
Give it a listen and shoot back your thoughts.

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Embarrassing Car Syndrome Auto Lending Campaign Helps Double November Revenue

Greater Nevada Credit Union recently shared a few results following the break of the Embarrassing Car Syndrome advertising campaign. (You can see the TV spot here.) The goal of the marketing push is to build awareness of Greater Nevada’s positive approach to automotive lending and grow loans from a diminished pool of qualified borrowers.

POS - Dr. Keyes Life-Size Standee

The campaign targets both the credit union’s northern Nevada members as well as non-members who are in the market for a new and “new-to-me” (used) vehicles.

  • YTD – Nov. 2011 – $4.1 million in loans, compared to $1.58 million in Nov. 2010
  • As of Dec. 15, 2011 – $2 million had already been lent. Twelve months earlier (December 2010) GNCU booked $2 million for the entire month.

There are a few factors at work at work here for the growth.

Obviously, the advertising is superlative (bias all mine). But GNCU has implemented a few key internal practices that have helped the credit union lending and members services representatives better assist borrowers once they’ve made a loan inquiry. The impact of those improvements is bearing fruit. Oh, and the economy seems to be warming. (Did I just say that out loud???)

In short, the internal process advances, complemented by the marketing efforts are proving a substantial boost to the bottom line. If you’d like to discuss your lending programs and where you’d like to grow your lending goals, please contact me. My agency’s experience with helping Greater Nevada Credit Union demonstrably build that segment of business is well documented.

Posted in branding, campaign, creativity, credit union, Financial, Greg Fine, marketing, Pearls, results, strategy, target audience | Tagged , , , , , | Leave a comment

What a Difference a Cup Makes

Instant fulfillment.

That’s what I always get drinking my latte from the cheery red Starbucks holiday cup. This cup o’ comfort makes me feel as though I’m drinking in Christmas with every tasty sip, despite the fact it’s been as dry as a summer’s day here in Reno. Starbucks manages to make their product more than a product; it is an experience and this year was no exception. For this holiday season, they created a mobile app around their signature red holiday cups. You could animate the cup’s characters and collect them all to view in the app, which would then reward you with an exclusive holiday scene.

Now I didn’t collect the cups, but I bought more lattes from Starbucks in the month of December than any other month. (Anecdotal “Grandma Research”: The Starbucks barista I spoke with last Saturday said she’d sold more during the Christmas Eve day than any other Saturday since she’d worked there.) To me, Starbucks is a brand that owns Christmas and that is the power of holiday marketing. As a marketing and advertising agency, we ask ourselves, is there value in doing a holiday promotion for our clients that don’t have a direct retail push? Do we allocate budget to a short window already crammed with marketing?

This year, it was yes. We built a mini-campaign that broke during this Christmas, but the gift itself is perfectly tailored for other holidays as well. We created holiday print advertising, corresponding email blast and social media outreach for one of our medical clients to sell the practice’s branded holiday gift cards. The marketing push had the added benefit of building brand awareness, as well. The messaging was general enough to require only moderate tweaking for Valentine’s Day or a recipient’s birthday. In other words, the holiday push has “legs.” See the blog post here http://www.janigamds.com/blog-md/.

Click the link to see the Top 15 Holiday Marketing Campaigns of 2011, according to US Data Marketing. I am partial to the Best Buy “Game on” Santa ads.
HubSpot named a different group of stellar holiday marketing campaigns, one of them being Starbucks and their holiday cup magic app. Check out the rest here.

What was your favorite holiday marketing campaign of 2012?

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Suffering From ECS? Greater Nevada Credit Union Has A Cure for Clunker Disease

Today (10/20/11) marks the premier of our client Greater Nevada Credit Union’s new TV spot titled “Embarrassing Car Syndrome.” The aim of the :30 spot is to emphasize the fact that you don’t have to suffer with a car that you’re not proud to drive. If you hate your clunker of a ride and you find yourself dashing to and from your car, maybe even disguising yourself, you may have a serious condition known as “Embarrassing Car Syndrome,” or ECS for short.

Embarrassing Car Syndrome is the third in a series of automotive-lending TV spots Ding Communications has created and produced for the credit union. The prior campaigns, “Wrong-Size Car” and “Embarrassing Car”, both helped boost GNCU’s application and lending numbers. (For case study results of those campaigns, click here and here.)

The ECS spot humorously spoofs the stereotypical “prescription” commercial by listing symptoms and side effects of the syndrome, while displaying every-day lifestyle footage of people currently suffering from the malady. The spot closes with Dr. Keyes reminding viewers that they don’t have to “endure ECS for another day,” and urging those living with the condition to visit Greater Nevada Credit Union’s auto-lending landing page.

While on the set during the shoot, I found myself reminiscing about my sickest ECS days. I was in high school (arguably the most image-conscious time of our lives) and driving an ‘87 long-nosed Toyota Corolla. My friends were driving cute, brand-new Honda Civics and looking cool and carefree like extras in a Noxima commercial. My beater car had been rear-ended so badly that the trunk would not fully latch shut. My father had the genius idea of securing it closed with a bungee cord. Practical, but not sexy. Every time I crawled over a speed bump in the parking lot of my high school, my trunk would pop open and closed like a Jack-in-box, scaring every innocent bystander within 20 feet. I thought I might actually die of ECS.

Greater Nevada Credit Union’s “Embarrassing Car Syndrome” spot should resonate with viewers because everyone has either been personally traumatized or knows someone who is suffering from ECS. Extensive in-branch collateral, as well as print and online marketing support the TV spot.

If there’s a concern that you are living with ECS, contact Greater Nevada Credit Union today to see if you qualify as a candidate for treatment of this familiar but curable affliction.

Colie McManus
ECS Survivor

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Nothing Embarrassing About $8.5 Mil in Auto Loans

Embarrassing Car Campaign Substantially Helps Greater Nevada Credit Union Grow Q2 Auto Loans.

Ron Willard, vp marketing for Ding client Greater Nevada Credit Union was recently quoted in a news article that GNCU booked nearly $8.5 million in automobile loans during the second quarter. The story, which appeared in Credit Union Journal (apologies upfront for the registration form to read the complete article) also stated that the credit union has enjoyed a 222% growth over the same period from the previous year.

This was a serendipitous piece of news, considering the impressive surge came while the Embarrassing Car auto lending campaign was in full swing.

The embarrassing campaign also introduced the Laughing Gas Photo Contest, a new component to Greater Nevada’s media mix. Utilizing a contest platform from Wildfire and promoted through Facebook, Laughing Gas received nearly 1,300 votes for the various user-submitted photo entries. Not bad considering this was the credit union’s first substantial foray into the social media marketing pool.The photos were quite entertaining. The winning entry revealed two contestants sporting the campaign’s iconic schnoz glasses while soaring down Disneyland’s Space Mountain ride. That’s an engaged contestant.

Meanwhile, Embarrassing Car is registering with vehicle owners who have grown weary of their tired cars, trucks, SUV’s and minivans. If you find yourself in that category, take Greater Nevada Credit Union for an auto loan test spin.
If you’re looking to jump-start your credit union’s auto lending, please contact us. We’re confident we can help.

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It’s Still Rock ‘n Roll

This evening my daughter flips her tassel as she transforms from high schooler into a fledgling college frosh. My wife and I were discussing the upcoming graduation ceremony and party when, of course, we drifted back to our respective graduations (at which point I plugged in Men At Work – Be Good Johnny, which served as the soundtrack to our discussion – it remains a wonderful pop song). We talked about all that’s changed in our world over the course of the 30 years. But one thing that hasn’t changed is advertising.

Oh sure, there has been a sea change in how advertising is delivered. The number of media channels is overwhelming. But the plethora of channels cannot be confused with what makes advertising work. Effective advertising is strictly about a certifiable brand promise, solid positioning and simple, powerful messaging. That hasn’t changed since Leo Burnett, J. Walter, David Ogilvy and William Bernbach invented and refined the practice seemingly a millennia ago. Only when those three elements are firmly in place does it make sense to decide upon the appropriate channel to reach the audience. Media mix is almost academic.  What your advertising says about your company, service or product though is what is critical. And that – like rock ‘n roll – hasn’t changed since you graduated.

 

 

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Effective Advertising Has First-Kiss Qualities, or Forget About It

NPR posted a story a while ago about how humans perceive time slipping by faster as they age. In effect, as we grow older, experiences aren’t as fresh and thereby aren’t as memorable. Robert Krulwich, the NPR reporter, used the ubiquitous first kiss as an example of how we remember firsts differently from those subsequent experiences that pile up as life progresses.

Which led me to a more pointed marketing realization: If a company’s advertising is similar to something that’s been seen before, then doesn’t that make it more forgettable? In other words, less effective, and more expensive?

I realize clients and ad agencies are always striving to create advertising and marketing that’s ground breaking, or at least attention getting. My goal with this Pearl is to encourage you to add this particular piece of first-kiss neuroscience to your list when evaluating whether you’re getting the most for your marketing dollar.

The NPR story quoted Neuroscientist David Eagleman of Baylor College of Medicine on how your brain deals with repetition and why it dulls your sense of wonder.

“Of course, you can see this in everyday life,” says Eagleman, “when you drive to your new workplace for the first time and it seems to take a really long time to get there. But when you drive back and forth to your work every day after that, it takes no time at all, because you’re not really writing it down anymore. There’s nothing novel about it.”

Same can be said for familiar advertising.

Say you’re the marketing director of a hotel casino. Casino marketing of late is very, very static from one property to the next. The casino hospitality market is a mature industry – it’s fully entrenched in its audience’s minds, like so many mature businesses are with their customers (auto dealerships, furniture stores, banks…). There isn’t much differentiating one competitor from the other. And nobody in marketing is trying very hard to distinguish his or her property from the one next door.

So, as the casino marketing director, are you doing right by your company to authorize and pay for marketing that smells remarkably recognizable – advertising that could just as easily wear your competitor’s logo? If your target audience has been repeatedly exposed to similar (or non-existent) brand positioning, similar retail promotion, similar entertainment marketing, then your customer’s neural ability to discern your establishment as different from all the other hotel casinos is virtually nil. That “first-kiss” novelty is gone. There’s nothing they haven’t seen before.

That’s money ill spent.

I’m pointing at casino marketing execs and their advertising agencies in this example, but it can be applied to any number of marketing driven businesses. Yours, perhaps?

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When Marketers Behave Like Graffiti Artists

For the sake of discussion, overlook the vandalism aspect and slip into the skin of a graffiti artist to see the world through his or her eyes. As a marketer, you might be able to gain a street-smart perspective for reaching your audience when they least expect it.

We humans are conditioned to travel the most convenient path. Not that there is anything wrong with it. Freeways get us from here to there faster, and malls make it easier to wrap up the Christmas shopping. Marketing is no different. The media buying model, for example, has remained relatively unchanged for the past 75 years or so: Find the media that reaches the broadest audiences, secure the best price and place the buy. Repeat until budget is allotted. Simple, easy, convenient.

Only problem is your market-share-stealing, customer-snatching competition is traveling the same trodden path, so theoretically your customer is exposed to both messages, yours and the competition’s. Definitively distinguishing your brand and stating your value propositions becomes more difficult and more expensive.

But step into Mr. Spray Paint’s world. Graffiti Guy/Gal sees every square inch of the landscape as a blank canvas for their art. And because graffiti artists boldly splash their message where our unsuspecting eyes are unaccustomed to seeing anything other than a cityscape, we notice it. (Whether we approve of it or not is outside the scope of this Pearl.)

Take that approach as a marketer and suddenly you can accomplish greater impact. You catch your audience’s attention when least expected, and your brand message can be seen in a fresh light, in an atypical setting. There are the obvious legal and moral parameters to heed. But that doesn’t mean you and your marketing agency shouldn’t step out of the regular media-buying/planning model, throw away the creative “rules” and view the world through a different lens. It’s an opportunity to communicate in a fresh way with your customer, rather than strictly following set standards. Here are what a few open-minded companies and agencies have done to get their message seen.

You may never be able to pull off a great ambient ad because of corporate culture or other constraints. But just going through the exercise dusts off synapses that may be going dormant. Plus, when you’re painting with a new brush, it’s simply inspiring to behold the myriad methods humans employ to communicate with each other beyond the Internet, television, magazines and other traditional media.

To view the published article, click here.

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